Meet the Maker

Meet the Maker

Lisa Lipman is the founder of Lost Manly and a fourth-generation Manly local (Freshwater / Harbord). Now living in Norway, Lisa researches, restores and shares the visual and social history of Sydney’s Northern Beaches. A lifelong genealogist and local history enthusiast, her work focuses on preserving everyday photographs, stories and memories so they are not lost to time.

From time to time, a small selection of these restored images becomes prints, calendars or keepsakes — simply to support the ongoing archival work behind Lost Manly.

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Seven Miles from Sydney - Manly

Seven Miles from Sydney - Manly

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This reproduced travel poster features a well-known Manly holiday artwork by Allcot, created in an era when Manly was promoted as Sydney’s most accessible seaside escape — close enough to reach in a day, yet distant enough to feel like a holiday.

The line “Seven Miles from Sydney” belongs to the world of the ferry timetable and the harbour crossing: the journey itself acting as a threshold between city life and the slower rhythms of the beach. Promotion of Manly as a destination was closely tied to the Port Jackson & Manly Steamship Company (PJSSCo), whose ferries carried generations across the harbour and whose advertising helped shape how Manly was imagined — sunlit, restorative, and unmistakably coastal.

In this period, Manly’s identity was built not only through posters and brochures, but also through modern media. Holiday campaigns extended into radio, including promotional competitions that offered prizes tied to travel and leisure — part of a broader effort to keep Manly visible in the public imagination and to draw crowds to the waterfront.

Allcot’s artwork sits within the wider tradition of Australian travel illustration: images created as invitations, but which now read as historical records — capturing the visual language of mid-century tourism through typography, colour, and an idealised vision of coastal life.

This reproduction has been produced from the original artwork with care taken to preserve its proportion, tone, and character. Printed on matte archival paper, the surface minimises glare and allows the image to be read quietly over time.

As part of the Lost Manly Archive, this poster functions as both artwork and historical document — holding a particular moment in Manly’s story as a harbour-to-ocean holiday destination shaped by ferry travel, promotion, and cultural memory.


Print details

Museum-grade archival paper designed to resist yellowing over time

Giclée printing for stable colour and fine detail

Matte finish to minimise glare and retain surface texture

Available in one size only

Intended for indoor display

Care

If dust accumulates, gently wipe with a clean, dry cloth


Product features


High-definition printing for bright, crisp colours

Choice of smooth matte or high-gloss finish

Premium paper stock: 300 gsm (matte) / 200 gsm (gloss)


Size & format


Size:
30 × 20 in (76.2 × 50.8 cm)

Orientation: Landscape

Format: Custom / non-A-series size

This print is larger than A2 and slightly shorter than A1, with a wider landscape aspect ratio than standard ISO A-series posters.


Framing note

This is not an ISO A-series size.
It can be:

Custom framed to 76.2 × 50.8 cm, or

Professionally matted to fit a standard A1 frame

Many Australian framers regularly mount prints of this format.


Care instructions

  • If dust gathers, wipe gently with a clean, dry cloth

Large landscape vintage travel print
Oversize custom format (between A2 and A1)
Ideal as a feature wall or statement coastal artwork

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